An ensemble
movie consisting of a divorced couple with a self obsessed daughter, a divorcee
who has a confident and uncomplicated approach to life whose daughter is living
with her and preparing to leave home for college. There is also a couple,
friends of the divorcee, one who is a psycho therapist, who are having a
conflict with their employee, a Spanish maid, who they cannot tolerate for her
strange habit of replacing strange objects in the wrong place.
The story
relates to the divorcee, played by Julia Louis-Dreyfus, a self employed
masseuse who visits her clients, carrying a portable massage bed, in their own
homes. She is also caring for her daughter who is in the throes of letting go
and moving on to college in another place. The daughter also has a friend who
seeks to make a friend of her mother. In the process of making that friendship,
given advice that her friends mother should not really have been giving and
also giving space and hope for her own independence which also she should not
really have been giving. The divorcee’s daughter is able to put this to her
mother very effectively at the end of the film. But I digress. At a party, our
divorcee meets a woman who engages her for a home visit massage. At the same
party she also meets a man who obviously takes a shine to her. She is totally
unaware that this man is divorced from the woman who has just engaged her for a
home visit. Through a friend, the divorced man, who is played by the late
excellent James Gandolfini, arranges a date. They slowly hit it off. Later in
the story the divorcee discovers from the woman at the party, who she is now
visiting regularly and becoming friends with, in a roundabout way that the man
the divorcee is dating is this woman’s ex-husband.
Are you still
with me ? Don’t worry. It is not a complicated story or film to watch and
follow. But just try explaining it to your friend. Which is why many reviewers
who have written about this film, have been challenged to sell this film to its
wider audience. There is only one spoiler which isn’t spoiling the film – that
is discovering that the man you are dating was once married to the woman that
you are offering a massage service to and who has been confiding in you her
dislikes of his personality and the things that she was irritated by.
How do you
let on ? Why don’t you let on. This is not completely explored but it is the
impact of not doing so that is the crux of the story. Louis-Dreyfus misses her
opportunity and at a dinner party she even tests out the personality traits
that so detest Gandolfini’s ex-wife. She does this in a heartbreakingly unkind
way.
It is the
relationship between Louis-Dreyfus and Gandolfini that dominates the story. It
has some haunting one liners. After falling out Louis- Dreyfus goes round to
try and salvage the friendship, to be rebuffed – “You broke my heart, and I’m
too old for that now.”
Dreyfus’s
daughter, played by Tracey Fairaway, emphasises the need to be owned and loved.
When she leaves at the airport to go to to college, both Dreyfus and her ex-husband
are there to send her off and they are together on their way out, arms around
one another – “We made a really good person there”.
The film
plays out with Dreyfus and Ganolfini willing their relationship to get back on
track and we are left with an optimistic hop at the end.
It is a
humorous, not funny, film with characters that are well cast. They gel so well
that you can imagine that it might have fun to have been on set with them. The
story is authentic and believable and draws you into the relationships and
willing the characters to get it sorted Which they sort of do.
Goodness
knows what the Americans think of us in the UK. At one point, after dropping
her daughter off at school, Dreyfus shouts at another student to pick her
litter up. “Pick your rubbish up, your’e not British.!”
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